- Business models and business plans
- Apps and the growth of mobile phones
- Legal advice and structures
- Cryptocurrency (such as BitCoin)
- Generating revenue
LOS ANGELES, CA--(Marketwired - Oct 8, 2014) -StudioVox, a Los Angeles-based online network for creative professionals offering a platform for visual artists, photographers, interior designers, performers, filmmakers, musicians and other artists to network with likeminded colleagues, agents, companies and fans, announces its partnership with Sundance Cinemas Galleries, of Robert Redford's Sundance Group. StudioVox serves as the submission and curation platform for artwork to be exhibited at Sundance Cinemas' fine art galleries in West Hollywood, San Francisco, Seattle, Houston and Madison, Wis.
Unlike LinkedIn and traditional social media sites,StudioVox fills the gap as a credible site for showcasing creative talent, connecting and collaborating with others, finding work, building teams and hiring talent. StudioVox allows creatives to promote themselves by creating a comprehensive profile with which they can share their portfolios and work.
"Our partnership with Sundance mirrors our purpose. It offers our community of artists a chance to be seen and have their art recognized by a brand built on creating opportunities for new voices in the arts to be heard, as well as its continuing commitment to quality in the arts," says StudioVox CEO and Co-Founder Amanda Slingerland.
StudioVox' platform offers instant promotion and exposure, with the additional abilities to schedule and invite people to events and house personal blogs, as well as soon-to-be-added capabilities that will streamline the ability for users to push their StudioVox content out to Facebook, Twitter and LinkedIn profiles and sell art, music and merchandise directly from the site.
"Our new relationship with StudioVox is a gift. It's a gift to us, as we are now able to draw upon their fantastic connections in the art world, and a gift to the artists, as not only will they have shows at Sundance Cinemas, but StudioVox will be enhancing the way the shows are marketed, thusly giving the artists much deserved acknowledgement," says Nancy Klasky Gribler, Executive Vice President of Marketing, Sundance Cinemas.
The partnership is being celebrated with a private party at Sundance Cinemas in West Hollywood on Oct. 9, where StudioVox artist and Los Angeles-based abstract painter Lori Dorn's artwork is exhibited through November.
To submit your artwork for consideration for exhibition at the Sundance Cinemas Galleries, peruse artists' portfolios and creative works, or look for talent, visit StudioVox.com.
Since children are the future, and no one over 21 really knows what they find “cool” (do the kids even say cool these days…?), researchers have devoted many, many surveys to the exact quantification of what it is #teens do online.
Now, a pretty dramatic new report out from Piper Jaffray — an investment bank with a sizable research arm — rules that the kids are over Facebook once and for all, having fled Mark Zuckerberg’s parent-flooded shores for the more forgiving embraces of Twitter and Instagram. Between fall 2014 and spring 2014, when Piper Jaffray last conducted this survey, Facebook use among teenagers aged 13 to 19 plummeted from 72 percent to 45 percent. In other words, less than half of the teenagers surveyed said “yes” when asked if they use Facebook. (A note: There’s no spring data available for the “no networks” option, which is why that spot is blank.)
Surveys of this type are, of course, a dime a dozen, and teen whims are as volatile as Twitter’s trending hashtags. That said, Piper Jaffray’s research is pretty thorough: It surveyed a national group of 7,200 students and accounted for variables like gender and household income.
Among the survey’s other findings: Kids love Apple products above any other consumer tech brand, though only a sliver — 16 percent — were interested in the iWatch. They overwhelmingly predicted that, by 2019, they’d watch all their movies on Netflix. They’re cooling on Pandora radio, which has seen a host of streaming apps and other competitors crop up in the past five years.
Alas, none of this helps explain why teens like the things they do, a question as old and impenetrable as time. Both research and anecdote would suggest, of course, that it has something to do with the presence of adults on the site, as well as the typically high-school plagues of oversharing and in-fighting. The recent rise of anonymous social apps — things like Whisper and Yik Yak, which is dominated by college students — would also seem to suggest a youthful wish to escape the confines and responsibilities of a fixed online identity. (Facebook certainly seems to worry that’s the case: On Tuesday the New York Times reported that the Web site was working on an anonymous, stand-alone messaging app of its own.)
That should perhaps worry parents, of both the helicopter and cool-Dad variety: You can’t really interact with — or “check up on” — your kids on Whisper the way you do on ye olde FB. (Whisper users don’t have friends and go on under pseudonymous usernames, which, arguably, is the app’s main draw.)
Facebook needn’t panic, though. Even if it’s namesake platform is now totally passe, the kids still love Instagram — so Zuck wins, either way.
The industry panel discussed how their workforce needs are changing and made recommendations on the skills needed to remain relevant and in-demand
In the last few years, the crowdfunding scene has exploded. Now there are hundreds of platforms to choose from, with more popping up every day. But which crowdfunding site is best for your small business? Or charitable cause? We covered 26 Top Crowdfunding Sites by Niche, and now we've created an infographic with all the essential details.
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According to a March press release from KDDI Corporation, Japan’s second-largest cellular service, the company’s app-bundling program called “au Smart Pass” reached 10 million subscribers just two years after launching. For the basic au Smart Pass, subscribers pay ¥372 per month, or roughly $3.50 USD for unlimited use of more than 100 apps. This means that KDDI, now the county’s largest app bundler, is raking in a half billion per year from the app market.
This is significant because up until KDDI and its competitors introduced app-bundling, telecom providers were effectively cut out of the app ecosystem. Back in late 1990s and early 2000s –the days of the Nokia 6110, Motorola RAZR and games like Snake – telecom operators owned the distribution channel for all services and applications, which was appropriately labeled as their “walled garden”. When the Apple App Store launched in 2008, that monopoly ended. App developers, Apple and eventually Google both captured the market for extra services and applications. Through app-bundling, telecom providers finally get piece of the action back.
Considering that Sprint is owned by SoftBank, Japan’s third largest cellular provider and one of KDDI’s bundling competitors, it is no surprise that they are the first carrier in the U.S. market to offer an app-bundled subscription. In fact, App Pass is the first coordinated service launched together by Softbank and Sprint since the completion of their merger in July 2013. Although Sprint now has a lead on Verizon, AT&T and T-Mobile, I suspect that App Pass may soon face stiff competition. Much the way that NTT DoCoMo launched their own app-bundled service about a year after KDDI, Verizon, AT&T and T-Mobile may try to launch similar services in the near future.
Awesome client testimonial for work done by research analyst Marci Haire! Great job!
"I clicked through to the Growthink website with some trepidation - most internet promises are only virtual.